Friday, 7 March 2014
Final Assessment Part One Miss Havisham
I was very pleased with the outcome of the first part of my continuity assessment. Lottie pointed out that the flowers were in different place to my practise so for the second half of the assessment i will need to make sure their in the exact place as this time.
The padding i had used i hadn't previously practised with so found that it was slightly too big so showed through in some images this was a little distracting but as i want the images from the second assessment to look the same i will have to use the padding again.
I found looking back at the images i could have added a lot more blue tones to the face to enhance on camera although the camera did pick up on those warmer colours. I liked the effect of the soft makeup as the hair was very strong and this is what i wanted to look at more relating to the victorians ideals of beauty witch was big big hair and Lilly white skin no makeup at all so i found it was in keeping with the victorian era.
I feel confident about re creating my Miss Havisham using my step by steps and further these image to relate to within my second assessment i feel i will be able to re create this look very similarly in two weeks time.
Cut Lip, Scaring & improvisation Practical
Products;
·
Non-flexible colodian- strong alcohol smell
·
Barrier cream- Derma Shield Foam (always apply
this before hand to protect the skin)
·
Don’t Use
moisturiser as its greasy this under prosthetics wont stay and just slip off
·
Fixer Spray- Kryolan helps it all stay in place
·
Tuplasty- Clear gel used for old Scaring
·
Duo- lay it on dry and add another layer for
peeling and shiny effect
To create something that looks as through its underneath the
skin apply the colour- never in a straight line and add a flesh colour powder
over the top to create the illusion as though its underneath the skin.
Creating Scared
cut lips:
Step 2: apply the colodian making sure the model is ok to
breath through there nose when applying onto the lip. Getting a scalpel press
it into the skin and fold the lip around it and remove so the lip is still
pressed together then hair dryer and the area making sure its not too hot for
the models skin.
Step 3: when dry the skin should stick together the model
will then have to be carful not to smile too much as tis will pull the skin
apart. You can further then dab colour onto the area to break it up a little or
adding a flesh colour powder will allow the area to blend into the skin.
Improvising with
cuts and injuries:
Friday, 21 February 2014
Reference Mood Board
I created a mood board to take into assessment with me although i have already created my design and know exact ally what elements will be used were i wanted to have a few images of real veins, broken veins and scratches so i could relate back to them to get a really realistic feel.
Makeup Instructions Miss Havisham Assessment
Product list:
·
Krylon Foundation pallet- alabaster & FS 38
·
Illamasqua white foundation
·
Illamasqua satin primer
·
Duo eye lash glue
·
Supra colour pallet
·
Illamasqua translucent powder
·
Krylon Colour eye shadow pallet- RIO MATT
·
Vaseline
·
Glycerine
·
MAC Red Liner
·
Disposable eyelash wands
·
Cotton buds
·
Tweezers
·
Hair pin/Spatula
Instructions:
Step 1; Prep the skin to make sure
all traces of makeup are removed and the skin is moisturised.
Mix
together onto the back of the hand the Krylon foundation colours
-Three
spatulas of alabaster
-Two
of F8 38
-Illamasqua
white foundation
And
primers in together apply all over the face, neck and ears.
Step 2; mix up onto the back of the
hand from the supra colour pallet the blue, grey, white and yellow to get a
vein like shade. Paint on with a thin brush onto the visible veins mainly
around the sides of the forehead and left hand side of the neck blend into the
skin with a cotton bud.
Step 3; apply the Duo onto the main
vein on the left hand side of the face and neck for the scratches.
Step 4; using the same colour as
the veins pat this onto the lip and around the eye area to create the effect of
dark circles.
Step 5; mixing from the supra
colour pallet blue, yellow, red and the dark brow pat this around the eye area
and to contour the cheekbones and nose.
Apply
the same colour on the lip after puling the duo away from the centre of the lip
and the right hand side. Apply the red to create a deeper blood like colour in
the chaps of the lip.
Using
the same colour stipple the red onto the apples of the cheeks and to create the
cut like scratches onto the right hand side of the neck.
Further
use this tone to create the effect of a broken vein onto the right hand centre
of the cheek and the left hand side of the nose area.
Step 6; paint and blend in the blue
vein colour over the top of the duo raised veins. And further the same tone
over the top of the redy brown contour shade.
Step 7; Apply the skin tone shade
from the supra colour pallet onto a disposable brush and brush into the brows
and lashes do this again with the grey shade to build up the colour.
Step 8; apply the red liner into
the inside of the eyelids and blend in with a cotton bud.
Step 9; powder over the vein and
eye area and any other areas to stop the products creasing apply the Krylon eye
shadow pallet blue and yellows to enhance and build tones already created then
apply the Vaseline over the highlights of the face particularly around the
forehead, eye area and down the centre of the nose then use the glycine to
enhance this.
Hair Instructions for Miss Havisham Assessment
Applications list;
·
Pin tail comb
·
Paddle brush
·
Soft brush
·
Afro comb
·
Blonde pins
·
Blonde bun pins
·
Padding for roles
·
Flowers
·
Crimpers
·
Curlers
·
Hairspray
·
Talc
·
Grey eye shadow
·
Flowers
·
Veil
·
Cape
·
Water spray
Instructions;
Step 1; section the hair from back
of the ear to back of the opposite ear/ at the front middle section of the face
leaving out the side sections/ and the top section at the back clipping all out
of the way.
Step 2; (prepping of the hair before
assessment) brickwork curl the back middle section, crimp the rest of the head
keeping in the desired sections.
Step 3; back comb each side
brushing out the crimp/ curl and pull back into a French pleat in the centre of
the head making sure its secure.
Step 4; taking the back section at
the top of the head wrap in the padding and pin into place pulling out small
sections of the hair to backcomb repeat this over the whole top of the head (5
roles should be created) the very front role should sit over the forehead.
Step 5; place in the flowers as
showed in the picture pin in place if needed, cover in talc and the grey shadow
spray the front of the hair and place so wet bits of hair curled onto the face.
Step 6; Curl the loose sections of
hair around the bottom of the neck and backcomb and hair spray to create
decaying texture.
Step 7; pin in veil at the back of
the head underneath the last role.
Final Face Chart Miss Havisham
After my practise on my partner i drew up my final face chart with the veins and colourings all in the correct place as when matching up her natural veins this will be the same on the day of the assessment and i can us this face chart as a reference to this.
I am pleased with my final face chart taking inspirations from all areas of this topic and combining a variations of different techniques we have learnt in class to create my own visualisation of Miss Havisham through my own research mainly from visual reference points to images i feel relate to the characters characteristic my interpretation further contextualising this through my historical research of the victorian era. I see Miss Havisham as a manic but delicate decaying woman shown though my chose of a dusty blue colour pallett and transparency of the pale veiny skin. She is also very intimate and dlicate often showing people how she truly feels taking these inner feeling out through self harm such as the scratching on the neck and picking of the lips. The oily sweaty skin to me symbolises her psychological harm and waiting for something of that day she will never get back even if she dose try to halt time.
Accessorise Miss Havisham
I brought my material from a fabric shop and decided to experiment creating a high lace neck looking wedding dress as the photos will only be head shot it dose not particularly matter if it is clipped at the back as this will be covered by the veil.
With the same material i created a veil using tea bags to die the material i further cut holes and created a wore effect with the material to symbolise the passing of time, i added flowers at the top to cover the clip that i used to gather a sure the top together.
I used the tea bag technique also to die the flowers i had previously brought and used a brown paint to add depth of decay to them.
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